Dhaka girls are smart

Posted by Unknown Kamis, 31 Januari 2013 0 komentar


Dhaka girls are smart among Bangladeshi Girls. It can say that they are more conservative
than and other city in the world. Dhaka girls are cute and sexy. If u come to Dhaka u can't
see any Bangladeshi girl without urna. Most usual they wear sallower-chamiz and married women
usually wear shares and patichot. By wiring shares Dhaka girls look sexy and attractive.
But now this time some Dhaka girl wear fotua and jeans. By wearing fotua and jeans they also
look sexy and attractive. Here is a Dhaka girl picture as a model.
Its true only dresses are not the parameter of smartness. Education level of Bangladeshi girls are increasing day by day. Hundreds of private universities and colleges now in Dhaka as well as all over the Bangladesh. Extra curricular skills like computer study, office management, interior designing, block and batik working of Dhaka girls are now well developed.

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Mostofa Sarwar Farooki Biography

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Farooki's body of work address such themes as middle class angst, urban youth romance, deception-hypocrisy and frailty of individual, frustration about own culture and
conservative Muslim concepts of guilt and redemption.

He is widely considered to be one of the most brilliant and influential movie maker of contemporary Bangladesh. He, along with his fellow filmmaker from chabial, has created a new genre of Bangladeshi films that are completely different from traditional theatrical melodrama. Stylistically his works have a documentary feel that sometimes takes a poetic look.

Farooki is a self made film-maker. In an interview, he jokingly mentioned the following :
I am a student of World University of Mistakes. My mistakes are my teacher.

As he never studied in film-making or never got the opportunity to assist any director, he has been learning by doing it himself. He is inspired by Abbas Kiarostami, Wong Kar-wai, Hou Hsiao-Hsien, Robert Bresson, Andrei Tarkovsky and some other filmmakers.

Filmography:
2012 - Television
2009 - Third Person Singular Number
2007 - Made In Bangladesh
2003 - Bachelor





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Tahsan with close to mithila

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Model Anila Unseen Photo

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New photo Sakib khan,Sharika,Nirob,Bindu,Shokh, SI Tutul,Shojol

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Mostofa Sarwar Farooki Across the Table

Posted by Unknown Rabu, 30 Januari 2013 0 komentar
Farooki with participants of the programme. Photos: ATL AAKASH
The first instalment of Star Arts & Entertainment's new initiative, Across the Table, bringing artistes face to face with their fans, was held at The Daily Star Centre in Dhaka on January 9 with one of today's most accomplished film directors of the country, Mostofa Sarwar Farooki. Ten readers were selected through lottery from the numerous responses to the programme announcement, and they engaged in a lively discussion with Farooki over a wide range of issues. Excerpts from the discussion:


Mahfuz Anam, Editor and Publisher, The Daily Star: Films are a magnificent media for artistic expression, social messages and transformation, and I consider myself a big fan of you. I warmly welcome you to The Daily Star and thank you for accepting our invitation.

Sadya Afreen Mallick, Editor, Star Arts & Entertainment: We have anot
her regular feature called DS Cafe where our readers ask questions to celebrities over the phone, but we thought why don't we bring our readers face to face with their favourite personalities? We are elated that Farooki, who has gained international acclaim for his work, is among us.

Mamun Rashid, IR postgraduate, Chittagong University: What is more important for a film -- a good script, or good direction?

Farooki: What do you think is more important when cooking? Good ingredients or skills? You cannot have a good result without either of them. However, in one aspect I'd keep direction a little ahead, because you can bring home the best ingredients and still cook a very bad meal. Story is important but if two directors belonging to very different levels of skill are given the same story, they will make two completely different films.

Mahfuz Anam: When you see a story, can you visualise the whole picture in your head? As for writers, they start with a plot, but as they write, the plot develops and evolves. Does this happen to you?

Farooki: Yes, that happens to me a lot. When I and writer Anisul Hoque are inspired by a story or a character, we sit in discussion. And when the final product comes out, it is nothing like the original story. When I go to shoot, the location makes me think differently and I always like to make corrections until it is completed.

Mamun Rashid: Can we expect an action thriller from you in near future?
Farooki: I want to make films of different genres. It's a huge positive that the international film fraternity has noticed our work, and praised it, but it will be of no use if in the next five years, we cannot produce good films of various genres. In our country, there are two supposed schools of film: one is Bollywood inspired, and the other is the Satyajit Ray or Indian art house inspired. Making films within these confinements makes one thing difficult; it creates an identity crisis. We now have access to global films and resources from all over the world at our fingertips. If you're making an action film, you should watch films by 10 different directors, and take your choice of elements from them to make a film in your own style. People will criticise it at first. There was a time when Kim Ki-duk's films were not appreciated.

Masfiqur Rahman, BSc in ETE, North South University: In your films, social issues and reality come out very strikingly. Do you want to bring about changes in the society through films?
Farooki: As a part of the society, I do think about these issues. Social activists analyse them, motivate people and take action, but it is difficult as a filmmaker, because it is an art. One very common question about films these days is “what is the message of the film?” I like to think of messages as undergarments -- they have to remain under the main fabric of the film. Only Superman can wear it over his clothes. My primary target is to make a film; yes, there is an underlying portrayal of how I see the society, but I wouldn't want to bring it too far forward.

Mizanur Rahman, Dhaka-based filmmaker: If I want to shoot a film with a Red One (special camera), would I be able to process and project the film here?
Farooki: It really does not make a huge difference. If you're spending a lot of money to shoot with a Red One, but you're shooting uncompressed, it won't be much different from working with a Canon 5D DSLR camera. There are new technologies coming to the market everyday, and not all of them will be available here right away. But I always believe in cutting my coat according to my cloth. Creativity should never have to wait for technology or budget or anything else.

Mizanur Rahman: When casting, should I get theatre artistes for the roles, or should I get people who have never acted before?
Farooki: There are advantages and disadvantages of casting a theatre artiste. The advantage is that he/she will not have camera fright. But theatre acting has a stylised approach, because from a long distance, the audience cannot follow the subtle body language, so the acting is always a little “larger than life”. The risk of casting non-actors is that it can turn out to be a disaster, but he/she can also produce something that no one has seen before. Personally, I would cast a complete newcomer, and try to get out something new from him/her.

Ahsan Habib Russell, Student, Dhaka University: What is your core advice for someone who wants to be a filmmaker?
Farooki: If someone asks me what my advice is for someone who wants to learn swimming, I'd say jump into the water. If you want to make films, start making them. Make rubbish films at first, you'll make mistakes, but gradually you'll learn and improve. And if you are not making good films, it means you tried but it did not work, then you move on.

Tasnim Ahmed Konok, Student, Leather Engineering, Dhaka University: What are the rules that you believe need to be followed to make a good film?
Farooki: The most important rule is -- don't follow any rule. Do whatever you need to do to tell the story you want to tell, break any rule that you have to for that. And never stop questioning yourself. The day you start feeling content with yourself is the day you stop developing. One more thing: never compromise. To improvise and to compromise are two different things. Omitting parts of your script because it is not working is compromising. If you are omitting something, think of how you can fill up that void. That's improvising

Shazzad Hussain, Student, Dhaka University: When a movie comes out, everyone asks who are in it; very few people ask who wrote it, or directed it. The problem must have been worse when you started filmmaking. What were the factors that gave you strength? For someone who writes good scripts, how can he/she pitch stories to directors like you, Amitabh Reza or Mezbaur Rahman Sumon?
Farooki: My biggest support was the youth of Bangladesh. We started making films at a very right time, when a generation with a new outlook was growing up. We grew up together.
The answer to the second question is: you can email me, or contact me through Facebook.

Devapriyo Mithun, Student, Engineering: In your films, how do you maintain the ratio of logic and emotion?
Farooki: It is a very subjective question. It's different for every film, depending on what the story is. It is a whimsical decision, and I sometimes wonder why I did that?

RK Rony, Student, Pathshala (South Asian Media Institute): What is your understanding of the term “film”? Do you think it is possible to make a film for everyone in the society?
Farooki: I don't believe that one story can touch the lives of all classes of the audience. It's absurd. And as for your first question: a film is a non-verbal, visual dialogue between the director and the audience. Non-verbal because although there are dialogues in the film, the filmmaker and the audience are not talking directly.

Rubaiyat Habib Onin, HSC graduate: Going to a film school is very expensive, especially the top schools in the world. Those who cannot avail that chance, what is your suggestion for them to learn the art?
Farooki: Yes, filmmaking is one of the most expensive subjects of study. But there is a lot of material on the internet, you could go through them. Watch a lot of movies of different genres and countries. Start shooting, start editing; editing softwares are easy to find now. You'll learn best in the process of filmmaking. I never went to a film school.

Nafis Shahriyar, Department of English, Dhaka University: How does a director approach a script written by someone else? Which aspects do the director look into first? Surrealism is not a genre that is practiced much in Bangladesh; do you have any plan to work in that genre?
Farooki: Filmmaking, or poetry, is the translation of the personality of the artiste. So, impose your personality in the film. The scriptwriter leaves his mark on the script; leave yours on the film. In my films, I sometimes put elusive elements and treatments in certain scenes. But a whole film on it? No plan at the moment.

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New Bangla Movie Onnorokom Bhalobasha Latest hd quality picture free download

Posted by Unknown Selasa, 29 Januari 2013 0 komentar
Launching ceremony of audio playback tracks of movie “Anyorokom Bhalobasa,” directed by Shahin-Sumon, was held at a function held at a city restaurant on Monday night. Noted music director and lyricist Ahmed Imtiaz Bulbul unveiled cover of the album, which is produced by Laser Vision, as the chief guest in the
function.

Chairman of Laser Vision AKM Arifur Rahman, CEO of Judge Multimedia Shish Monwar, Managing Director of Laser Vision Mazharul Islam, lyricist Shafiq Tuhin, among others, were present at the album launching ceremony.

Genre
Romantic

Studio
BFDC

Starring
Bappy Chowdhury, Sara Jerin, Mahiya Mahi, Bipasha Kabir, Razzak, Amit Hasan, Kabila, Don and many more...

Directed By
Shaheen Shumon

Written By
Abdullah Johir Babu

Screenplay By
Abdullah Johir Babu

Produced By
Jaaz Multimedia

In the second part of the launching ceremony, some playback tracks of the movie were screened.
It may be mentioned that Samina Chowdhury, SI Tutul, Dolly Shayontini, Shafiq Tuhin, Nancy, Kishore, Mila and Fuad gave their vocals for the playback tracks those were written Ahmed Imtiaz Bulbul, Shafiq Tuhin, Fuad and Shawkat Ali Emon. Tunes were composed by Ahmed Imtiaz Bulbul, Emon Saha, Shawkat Ali Emon, Shafiq Tuhin and Fuad.

There are 10 tracks including an instrumental composition in this romantic and melodious songs based album. 



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Bangla new movie "Muktodhara" latest hd photo free download

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Movie Review

Muktodhara

Entertainment Desk
After the phenomenal success of Ichche which was a turbulent drama about the relationship between a mother and a son, the director duo Shibaprasad Mukherjee and Nandita Roy are back with their latest film Muktodhara. Just like their last film, this film is also a thought provoking film about the lives of jail inmates and about the relative term called freedom.


The film offers a very interesting insight towards the actual meaning of freedom. Is the film about the jail inmates who get freedom from their daily lives when they are given a chance to do something constructive-stage a dance drama called Balmiki Pratibha which might bring out their inner feelings, expressions and thus get a chance to express themselves and redefine themselves in society? Does it mean freedom for Yusuf, the smartest and intelligent jail inmate who thinks Balmiki Pratibha can help to stage his daring escape which he had been planning all this while? Does it mean freedom for Niharika, the talented dancer and wife of the Public Prosecutor who gets a chance to express herself and her talent and thus get a chance to get away from the mental agony which she is facing in her marriage currently as slowly her relationship with her very social and outgoing husband is becoming incompatible?


These are some of the questions, which are raised while one is viewing the film. On one hand, Niharika (Rituparna) has to deal with her cold and ruthless husband who will pull her down at any cost and promote his own ambitions even neglecting their own daughter who is deaf and dumb and on the other hand she has a mammoth task of reforming the convicts through culture therapy.
We also have Yusuf (Nigel) playing the smart and articulate convict who as the gangleader plans a daring escape from jail with a few of his fellow convicts, but eventually his conscience makes him return back to the jail with his inmates.


The film has a lot of ‘firsts’ going for it. Firstly the girl who plays the character of Niharika’s daughter Spriha (a deaf and dumb girl) is actually a deaf and dum girl, Suchitra Chakrabarty,a student of the Kolkata Deaf and Dumb School. Danseuese Alokananda Roy who was responsible for training the jail mates has done a splendid job in bringing out the inner qualities of people who have nothing to look forward to in life and is also looked down upon. The inmates have proven that even they have certain qualities, which can be highlighted if someone motivates them. In fact that applies to the entire film because we get to see a certain talent in most inmates, which can be made use of if there is a guiding force. While Bratya Basu is excellent as the cold and ruthless husband of Niharika,


 Rituparna herself does a good job of playing Niharika who craves for her own independence while trying to reform the inmates at the same time. Arun Mukherjee as Rashid Mian is excellent once again after his major role in Mohanagar@Kolkata. The stars of the film are however two other people. Firstly let’s talk about Nigel Akkara. How does a person who was once convicted for kidnap and murder, sentenced to life imprisonment but acquitted after nine years in jail become an actor?
 More so, the role might be tailor made for him and he might be just playing himself, but still how does a convict manage to come up with a mind-blowing performance? His body language, looks and expressions along with his towering presence makes the character of Yusuf stand out completely from the others. Shib Prasad Mukherjee, one of the directors or Shibu as he is better known shows us what a powerhouse of talent he is with his portrayal of ‘Happy Singh’.


 Few can believe that Happy can ever commit any crime and when we come to know that he had once raped a 8-year girl and the reason why he just can’t even look into Spriha’s eyes, that indeed comes as a shock and is one of the best moments of the film. With his accent, his mannerisms, he is just so natural as the comic Sardar who is more than a wily customer. Noted theatre actor Deb Shankar Haldar is also very good as the IG who presents a different side of the law in comparison to one of his subordinates, Lakshman Panda who shows us how unionsm has even taken over jails and it exists in every place in our system.
Muktodhara is for everyone and the freedom is not just of the inmates or Niharika, but is a rejuvenation of the soul. n

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